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Fashion Review Mondays: Chloe’s 2017/2018 Fall/Winter
Olivia of KingdomClothing

This week’s fashion review goes to Chloe. I have been a fan of the Chloe house’s easy, classic aesthetic for a long time. I can remember loving this house’s designs when I was in high school— maybe even middle school. There has always been an easiness and grace to their pieces. And this upcoming Fall and Winter collection is no exception.
Here, watch it before you read on: https://www.youtube.com/watch?v=9QZlyoDkRs4
I actually riffled through a lot of shows to review before I happened upon this one. I have not been particularly taken aback or impressed by very many designers in the past year, to be frank. As I was looking through, I saw a lot of looks that simply seemed hackneyed to me, or if not that, then too reminiscent to be called avant garde but too garish to be called wearable. On the contrary, however, Chloe’s Fall show didn’t have one look that I really didn’t care for. All of them were tastefully executed, well- styled, and wearable without being boring or already-done.
Let’s start with the basics of the show, the nuts and bolts: the setting, choice in music, and lighting were simple, chic, and fresh. I couldn’t tell if I was watching a Spring show or a Fall one…and I liked that. So many of the pieces in this show (and pretty much all of the ones I’ll mention) are transition pieces and can easily be worn in Spring, Summer, Fall, OR Winter, which is kind of…fantastic. To achieve this level of seasonal transcendence is impressive and not something I have seen in a while. It’s also difficult to do: designing and styling pieces that transition from season to season.
There were many basic traditional Fall-type pieces I appreciated seeing in the collection. This coat, the opening piece, for example:

chloe_fw17_look_01
(numero.com)

It’s that perfect Fall coat. But there is a freshness about it that takes some of the traditional Fall heaviness out of it: its slightly shorter length, its decidedly bright palette, its wide sleeves. There’s a funness about it that is like a wink or a giggle: small details that give way to an attitude.
Another beautiful piece is at 1:10 of the show (if you’re watching). I am in love with the easy movement of this simple androgynous look. One piece, gorgeous colors for Fall (but honestly classic enough to look chic in any season), and is a beautiful balance of what is traditionally “feminine” and what is traditionally called “masculine.”
chloe_fw17_look_05
(numero.com)

This show also included a lot of patterns and shapes of the 60s and 70s. It was like a neat blend of 60s/70s Paris and modern-day New York City. In some other reviews I’ve read of it, many friends seem to think this collection is safe and lack-luster, but I respectfully disagree. The clothes we wear are about expression, but we mustn’t sacrifice wearability for voice. Some designs have such loud voices in these days that wearability has lost its meaning. What I appreciated so much in this collection was the fact that simplicity and chicness held hands with subtle boundary-pushing and nods to the past. Yes, there was a lack of avant garde, no real “I’m making a huge statement; look at me!” type looks going on. But for me, this show commanded my attention in other ways.
Take this look, for example:

chloe_fw17_look_12
(numero.com)
Design-wise, anything ground-breaking? Not so much, but beautiful? Simple? Light? Fun? Still interesting? Classically chic and would still turn heads? Yes. And again, this is a perfect transitional piece. Could easily be styled for Spring or Fall. The dainty little cut-outs inter-mixed with the lace on the sleeves are so pretty.  And all of the simple, barely there, vintage-gracing shoes: gorgeous and wearable.

Don’t get me wrong, I am ALL FOR fashion making statement, speaking for us, pushing boundaries, stepping out of the comfort-zone. But classically chic beautiful shapes and colors never fail and sometimes, as this show reminded me, simplicity is better. Subtle statements can be important, too.
As Keller’s time leading the designs for this house comes to an end, I think her nod to the house’s roots and her light-hearted simplicity in this collection were a beautiful end to a chapter and a welcoming for freshness.

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